The Hacienda is a gothic novel set in Mexico, along the same vein of Silvia Moreno-Garcia’s Mexican Gothic; however, I like this novel better. It features an actual haunting, not a haunting imagined by the protagonist, that made my skin crawl (although it would have been even more creepy if I had read this novel at night instead of in the bright afternoon), and it has vibes of Daphne du Maurier’s Rebecca.
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The Last House on Needless Street appears to have been marketed as a horror novel, but I would not call it a horror novel. It isn’t even scary, which I found disappointing; however, it is a very fascinating psychological thriller which I read through very quickly because I HAD TO KNOW HOW IT WOULD END.
…I just went on a ten-day vacation to New York City, Boston/Salem and Montreal, and I managed to read FOUR books during my vacation (I spent a lot of time on planes and a train):
If you were to reduce its plot to the simplest of terms, then White Ivy is not a very original novel. It is a story about a poor and unremarkable person who wants to belong to the wealthy and important crowd. It is a story that has been told repeatedly. White Ivy has been compared to Donna Tartt’s The Secret History, which I did not like. There are certainly parallels between the two novels, especially the fate of one of the characters in White Ivy which mirrors that of Bunny in The Secret History, but I like White Ivy because it tells its story from the perspective of a Chinese American protagonist, a complicated woman who you can empathize with (up to a certain point), and it is as much about the immigrant experience in America as it is about a social climber.
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I watched Lovecraft Country the TV show on HBO back in 2020 and thought it was pretty good. It is too bad the TV show was cancelled before it got a second season. I have had Lovecraft Country the novel on which the TV show is based sitting in my TBR pile for a long time and finally got around to reading it. It is too bad I took so long to read it because I really enjoyed the novel and was disappointed that it had to end. As is usually the case, I thought the novel was better than the TV show.
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Cold Cold Bones is an improvement over last year’s The Bone Code with its disappointing vaccine tampering plotline. I read the Temperance Brennan novels because I have become invested in the character and her relationships with Canadian hunky private detective Andrew Ryan, surly North Carolina detective Skinny Slidell and her daughter, Katy, who in this novel has recently been honourably discharged from the army and may be suffering from PTSD, which is causing issues between her and Tempe. But I am beginning to feel that as Kathy Reichs keeps churning out these novels, she is sacrificing Tempe’s intelligence for the sake of plot. Tempe’s behaviour is becoming more and more frustrating as she continues to defy police orders, and just plain common sense, and puts herself in unnecessary danger while acting like she is an action hero instead of a forensic anthropologist.
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Velvet Was the Night is the second novel written by Silvia Moreno-Garcia that I have read, the first being Mexican Gothic, which I reviewed in May. I like Mexican Gothic better, despite the strange turn it takes towards the end, because I prefer gothic over noir; however, I still found Velvet Was the Night to be an engrossing read.
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The first time I read The Historian was way back in 2005 when it was first published. I liked it enough back then to read Kostova’s next novel, The Swan Thieves (which I have read more than once), and I decided to reread it now to see if I would still like it all these years later. If you like historical fiction, The Historian is a fascinating novel, but at the same time it can feel like a bit of a slog to read.
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I have read a couple of Sarah Waters’ books prior to Fingersmith: The Little Stranger, which I ended up hating, and The Paying Guests, which I found interesting, but was not overly excited about. Usually at that point, I would give up on Sarah Waters, but Fingersmith is well reviewed, and it sounded like an interesting story, so I decided to give her novels one more chance. I am glad that I read Fingersmith. If you like Charles Dickens, or if you like historical crime fiction, then you will like Fingersmith as well.
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The Push reminds me of this novel I read a few years ago, Baby Teeth by Zoje Stage, as both novels are about a mother who wonders if her young daughter is capable of murder. Baby Teeth makes it very clear early on what kind of novel it is. The Push is harder to pin down as it focuses more on the idea of motherhood, its role in our society and its affect on women, rather than being a thriller, and I think that is what makes it the better novel.
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