There are two reasons why I bought Japanese Gothic: 1. The word “Gothic” in the title. 2. It is a dual timeline story supposedly involving a ghost. Japanese Gothic is an unexpected read. I think I like it, but it’s hard to tell with the melancholy I feel every time I think about it.
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I think I waited too long after finishing The Poppy War to read book two of the trilogy, The Dragon Republic, because the story has lost momentum for me and Rin is becoming an exasperating protagonist.
If you plan on reading The Poppy War, obviously do not continue reading this review of The Dragon Republic as there are spoilers.
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The Bewitching should have been my most anticipated book of the year, because I really enjoyed reading this novel, especially after feeling somewhat disappointed with Katabasis. The Bewitching is definitely my favourite of Silvia Moreno-Garcia’s novels that I have read so far.
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Katabasis was my most anticipated book of the year; I have been really excited about reading this one. While I think it is a good novel, unfortunately, I do not like it as much as Babel. And I wanted so much to love Katabasis, but I really do not care much for the novel’s protagonist, which seems to be a thing I experience with dark academia novels.
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I really should examine the psychology behind why I, a childless cat mom, keep choosing to read mom-noir. I’ve read Zoje Stage’s Baby Teeth, Ashley Audrain’s The Push, and now Helena Echlin’s Clever Little Thing, all novels about mothers who think there is something disturbingly wrong with their daughters (it’s always the daughters). And I keep reading these books even though I know they are not going to be great, and Clever Little Thing is the worst of the three.
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V. E. Schwab’s Bury Our Bones in the Midnight Soil seems to be marketed to readers of The Invisible Life of Addie LaRue rather than readers of her YA novels. I am not a fan of Schwab’s YA novels, and I loved The Invisible Life of Addie LaRue, so my expectation was that Bury Our Bones in the Midnight Soil would be a slam dunk for me, but as interesting as I found the novel’s setting, the story ended up falling flat.
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I enjoyed reading Cherie Dimaline’s VenCo so much that I decided to read another one of her novels (I am sure I will eventually work my way through all of them). I do not like Empire of Wild as much as I like VenCo, but it is still an interesting novel inspired by the Métis traditional story of the Rogarou, a werewolf-like creature that is used to inspire fear in disobedient people.
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Motherthing lured me in with its cover and its premise of being a “darkly funny take on mothers and daughters” as well as a ghost story, but this novel was not at all what I was expecting, and I did not enjoy it.
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You know I like stories about witches, and Cherie Dimaline’s VenCo is a fun story about witches working together to take down the patriarchy. This novel is a real treat to read.
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Loghan Paylor is a queer and trans Canadian author who has written a pleasant albeit predictable story about queer love set during the World War II era. The Cure for Drowning is a good novel and worth reading, but I can’t say that this novel really excites me.
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