Loghan Paylor is a queer and trans Canadian author who has written a pleasant albeit predictable story about queer love set during the World War II era. The Cure for Drowning is a good novel and worth reading, but I can’t say that this novel really excites me.
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I wanted to read The Shadow Key for a few reasons: 1) It is historical fiction 2) It is a gothic story 3) It is also a mystery 4) It is set in Wales. I ended up really enjoying it. It is predictable, but it still managed to surprise me. It straddles the line between realism and the supernatural without tipping over definitively into either side. I think readers who typically avoid reading supernatural stories may enjoy this one.
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Emilia Hart’s Weyward is an interesting story about witches, and despite the bad reputation that witches have, I think it would be cool to be a witch with actual magical powers. Weyward is also a predictable story, but then again, the trauma that men inflict upon women is predictable. The novel shows how three generations of women from the same family overcome this trauma and thrive.
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I like Isabel Cañas’s first novel, The Hacienda, so of course I was going to read her next novel, Vampires of El Norte. Also, there are vampires in it, so it must be thrilling, right? Unfortunately, Vampires of El Norte fell a little flat for me.
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The Familiar is the latest adult novel by Leigh Bardugo. Like Ninth House, The Familiar is magical realism, but it is also historical fiction as it is set in 16th century Spain. I enjoyed The Familiar and at this point I think that Bardugo cannot fail to write a novel that I find interesting.
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Bad Cree is the debut novel of nehiyaw (Cree) writer Jessica Johns. The novel has been shortlisted for 2024 CBC Canada Reads. The reviews I read described Bad Cree as creepy, haunting and terrifying. I have been in the mood for creepy books lately, so this novel sounded good to me. Although it has some interesting aspects to it, Bad Cree turned out to be an underwhelming story.
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I wanted to read Lone Women by Victor Lavalle as it is inspired by the women homesteaders who took advantage of the government’s offer of free land in the American mid-west to anyone who could turn the harsh, inhabitable landscape into a working farm. I love it when women are badass and prove that they can survive without men. Lone Women is also supposed to be a horror novel, and I like the horror genre, but I would say the horror in this novel is underwhelming. As compulsively readable as I found Lone Women to be, I did not find it to be very horrifying.
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I have never read anything by Grady Hendrix before, and I guess judging by How to Sell a Haunted House, he writes comic-horror novels. I bought How to Sell a Haunted House because I wanted something spooky to read, but this is not a scary novel. It is low-key terrifying, though, because of all the creepy dolls and puppets that populate the story. I still found it to be an interesting read as it is about how trauma can affect generations of a family.
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I was initially put off by Starling House because of the “Reese’s Book Club” decal on the cover1. However, I kept seeing this book on different websites with good reviews, and it is described as a gothic novel – a genre that is like catnip to me – so I knew I had to read it. Although this book did not turn out to be as creepily gothic as I hoped, I found Starling House to be an entertaining read.
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Silver Nitrate is the newest book from Silvia Moreno-Garcia. This is my favourite of her more recent works (Mexican Gothic, Velvet Was the Night and The Daughter of Doctor Moreau). Silver Nitrate pays homage to the golden age of cinema, back when movies were filmed on highly volatile silver nitrate, but it also tackles a part of Nazism that does not get as much attention: the occult.
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