Warrior Girl Unearthed is a sequel of sorts to Boulley’s debut novel, Firekeeper’s Daughter. Perhaps not quite as good as Firekeeper’s Daughter, nonetheless I still enjoyed reading Warrior Girl Unearthed and wish there had been more novel to read. I appreciate the opportunity to revisit the Ojibwe community on Sugar Island, Michigan, and the characters from the first novel. I hope Boulley writes more novels about them.
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The first Kate Morton novel I ever read was The Forgotten Garden, about fifteen years ago now, and I absolutely loved it, which is why I have read every Kate Morton novel since. All of Kate Morton’s novels feature a central mystery told through a dual timeline where a protagonist from the present works to unravel the secrets of the past. The kind of novels that are like catnip to me. My love for Kate Morton’s novels has waned over the years, though, because I find them too predictable and the coincidences a little too neat. But it has taken me reading Homecoming to realize that I cannot blame Kate Morton for me becoming too clever for my own good. For the casual reader, Homecoming holds plenty of surprises. And even if it is on the predictable side, Homecoming spins a good yarn.
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I re-read Ninth House by Leigh Bardugo just before reading its sequel, Hell Bent. I still love it, and you can read my review of it here. I have been waiting over two years to read Hell Bent; unfortunately, I am on the fence over whether it was worth the wait. I did enjoy reading it, but certain elements have been introduced into the series (the way that Hell Bent ends, I am sure Bardugo is turning it into a series) that I could do without.
WARNING: There be spoilers ahead if you have not read Ninth House.
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The Hacienda is a gothic novel set in Mexico, along the same vein of Silvia Moreno-Garcia’s Mexican Gothic; however, I like this novel better. It features an actual haunting, not a haunting imagined by the protagonist, that made my skin crawl (although it would have been even more creepy if I had read this novel at night instead of in the bright afternoon), and it has vibes of Daphne du Maurier’s Rebecca.
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I hesitated a little before buying this YA novel, but Belladonna had me at “gothic”, so I could not resist. Unfortunately, Belladonna spends little time on the gothic and focuses most of its energy on the protagonist lusting after two different male characters. Seriously, this is one of the horniest characters I have read about in awhile. I found this novel to be a waste of time, and I definitely will not be reading the sequel(s).
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The Last House on Needless Street appears to have been marketed as a horror novel, but I would not call it a horror novel. It isn’t even scary, which I found disappointing; however, it is a very fascinating psychological thriller which I read through very quickly because I HAD TO KNOW HOW IT WOULD END.
…I just went on a ten-day vacation to New York City, Boston/Salem and Montreal, and I managed to read FOUR books during my vacation (I spent a lot of time on planes and a train):
The Death of Jane Lawrence is one of those books that sounds like it should be good, but then it turns out not to be. Very disappointing, as I love me a gothic novel. The Death of Jane Lawrence definitely is gothic, and there were definitely creepy moments that I read through very quickly because I did not want to scare myself before going to be bed, but in the end, The Death of Jane Lawrence gets bogged down in the science of magic, and I am not entirely sure what I was that I just read.
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Cold Cold Bones is an improvement over last year’s The Bone Code with its disappointing vaccine tampering plotline. I read the Temperance Brennan novels because I have become invested in the character and her relationships with Canadian hunky private detective Andrew Ryan, surly North Carolina detective Skinny Slidell and her daughter, Katy, who in this novel has recently been honourably discharged from the army and may be suffering from PTSD, which is causing issues between her and Tempe. But I am beginning to feel that as Kathy Reichs keeps churning out these novels, she is sacrificing Tempe’s intelligence for the sake of plot. Tempe’s behaviour is becoming more and more frustrating as she continues to defy police orders, and just plain common sense, and puts herself in unnecessary danger while acting like she is an action hero instead of a forensic anthropologist.
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Velvet Was the Night is the second novel written by Silvia Moreno-Garcia that I have read, the first being Mexican Gothic, which I reviewed in May. I like Mexican Gothic better, despite the strange turn it takes towards the end, because I prefer gothic over noir; however, I still found Velvet Was the Night to be an engrossing read.
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