There is an author’s note at the end of This Time Tomorrow in which Emma Straub explains how the inspiration for this novel came from her relationship with her own father. At the end of the author’s note she writes, “I hope that you enjoyed the book and that it made you cry.” I did enjoy This Time Tomorrow, but it did not make me cry, which made me realize how much I do not relate to the protagonist of this story.
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You know I like stories about witches, and Cherie Dimaline’s VenCo is a fun story about witches working together to take down the patriarchy. This novel is a real treat to read.
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Like Pip Williams’s first novel, The Dictionary of Lost Words, The Bookbinder is great for fans of historical fiction. You should definitely read it if you have read The Dictionary of Lost Words. The Bookbinder is also set in Oxford during the early twentieth century and focuses on the suffrage movement in England and WWI. Some characters from The Dictionary of Lost Words make an appearance in this novel.
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For the first third of Susan Rieger’s Like Mother, Like Mother, I thought, this book is fun and entertaining, which feels like a weird thing to think about a novel that is about generational trauma. But then the story took a shift in tone that felt inauthentic to me, and I ended up feeling cynical towards this novel.
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2025 is off to a good start in terms of my reading. Chris Whitaker’s All the Colors of the Dark is a very slow-burn story about missing girls and a serial killer. Some people might not like how slowly the story moves along, but I think this novel is great and I spent a lazy Sunday afternoon powering through this book to its satisfying conclusion.
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Loghan Paylor is a queer and trans Canadian author who has written a pleasant albeit predictable story about queer love set during the World War II era. The Cure for Drowning is a good novel and worth reading, but I can’t say that this novel really excites me.
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George Saunders’ Lincoln in the Bardo is a well-received, Man Booker Prize winning novel about the death of Abraham Lincoln’s beloved eleven-year-old son, Willie, and how Willie ends up in the bardo between life and death. It sounds like an interesting read, but I wish I had taken a moment to flip through the pages before buying this book because I do not like how it was written.
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After reading Richard Powers’ The Overstory, I needed something less heavy to read, so I thought Marissa Stapley’s The Lightning Bottles would do the trick, however, it ended up getting me riled up about society’s internalized misogyny. The Lightning Bottles is specifically about misogyny in the music industry, but I think it is a good book for music lovers, particularly if you have an appreciation for the Seattle grunge scene of the 1990s.
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The Overstory is the second novel of Richard Powers’ that I have read, the first being Bewilderment. The Overstory is a Pulitzer Prize winning novel that was Powers’ last novel before he published Bewilderment, and both novels have a common theme of human destruction of the natural environment. The Overstory is a dense novel that even I found to be a bit much, I think because it presents a lot of hard truths about how unappreciative humanity is of this amazing, beautiful world that we live in, and how our main character energy has resulted in the mass destruction of other lives that share this planet with us.
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A long time ago I learned that authors get paid to write reviews of other authors’ works, which I thought was disappointing because I liked to believe that authors are giving an honest opinion when they write their reviews and are not influenced by monetary gain. But after seeing the praise for The Hitchcock Hotel from the likes of Riley Sager, Alex Michaelides and A. J. Finn, I am convinced that authors are pocketing money as they trick us into reading crappy books, because The Hitchcock Hotel is not a good novel.
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